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Showing posts with label self- publishing authors. Show all posts
Showing posts with label self- publishing authors. Show all posts

Monday, September 22, 2014

Paul Jarvis - how are books sold?

How to Market a Self-Published Book

Posted: Updated:
BOOKS
The advice you see on blogs telling you how to get people to buy your book is all pretty much awful. Guaranteed in 5 easy steps!

This isn't because of bad intentions or even some sort of trickery, it's just that there's no one-size-fits-all solution to generating sales for your book.

You can achieve success -- however you define success -- by doing practically anything that goes with or even against current advice online for self-published book marketing. The "self" in self-publishing means you've got the reins.

Save the silver bullets for werewolves (especially if you're writing a book about werewolves). If there was a silver bullet, everyone would be doing that one thing, and it would get so watered down that it would become completely ineffective.

Tactics that game the system also tend to stop being able to game the system fairly quickly. So by the time you're reading about it, it's already too late to use it.And keep in mind, if you simply try every piece of advice out there on marketing your book, you're going to spread yourself way too thin to be effective.

Marketing your self-published book involves a lot of focused work, typically as much work as it took to write the book in the first place. And there are no guarantees. But without marketing your book, no one beyond your friends and family will read it.

The good news, if you're still with me (and I hope you are), is that the best person to market your book is you. You know the book inside and out, you know your own story, and you know your audience.

I've always approached book marketing as experiments. I try something that may or may not work, and if it does, great! If it doesn't, then I don't try it again. I've given away llamas, run contests simply because it was Thursday, launched books in every platform that would have me, and tried so many things even my own head spins a little (you can read about the specifics in this PDF).

I've sold, given away, bundled, and sold the foreign rights to my books to the tune of almost 100,000 copies. I'm no Stephenie Meyer (probably because none of my books have werewolves), but for a self-published guy who knew nothing about the industry when I started, I've done alright.
For every book I've written, I've tried at least a handful of new ideas to get it to the right people. Mostly though, I've learned that as long as I'm having fun marketing the books I write, and enjoy trying weird and interesting ideas, then I'm happy to keep going.

Base your marketing plan on your intentions
The way you market your book should be based on two things: your values and the intentions for the book. If something feels slimy or inauthentic, don't do it. You should never let a bit of exposure trump your values. Short-term gains that feel wrong seldom result in long-term growth as an author. They can also decrease your social capital.

The intentions for your book can really be anything -- credibility and status in your industry, increased bookings for speaking, consulting or projects, building your brand, further educating your audience with a new point of view on a subject they care about. Your book, your intentions. And however odd -- because anyone can write a book now -- books are still a strong signal that you're an expert on a topic or in a field.

If your intention is to sell a million copies or get on a best-seller list, that's more the result of many things going right, since it's really out of your control. Plus, most of the time, you're just going to be disappointed with that for a goal. Only a handful of books sell a million copies or get on the NYT or WSJ lists. And you don't need either to make money or build credibility (or even to have fun with your book).

A few of my books are "best-sellers" and it was really just a result of trying lots of things that slowly pushed sales higher. It's a war of attrition on experimenting, failing, learning, and continually pushing for more exposure and connections.

Your intentions also have to match the content and message of your book. For example, if you write a book about American Condors (which are EPIC, seriously), your intention can't really be to get more gigs speaking on the web design circuit. Or, if your book is about a super specific topic that relates to a teeny-weeny group of people, it'll never be a massive best-seller (but can definitely become a phenom in that small group).

It's them, not you
Once you've got an intention, move onto your audience. Who are they? Why will they care? Where do they currently get their information from?
If you don't know who your audience is, consider this:
1. Why did you write the book?
2. What do you want people to get from it?
3. Why would those people be motivated to get information from your book?

From there, think about what motivations people would have in common who would find that end result of your book valuable.

An audience of "everyone" is typically too big to grasp or connect with. Where does "everyone" get their information? There's no single source. What motivates "everyone" to learn something? There's no single motivation. What does "everyone" care about? There's no single topic.
You get the idea... "Everyone" is not your audience.

Your audience is a specific set of people with specific motivations and values. They're much easier to reach and connect with than everyone.

Your audience is probably awesome, but they are also self-serving and need to know what's in it for them (it's just human nature). What are they going to learn that can't be found anywhere else? How will they benefit from this knowledge? How can they apply that knowledge to better their lives, careers, or wallets? They're putting both their money and their time into the book, so they need to be sure it's worth both. Even free books have a large investment of someone's time.

Meet your audience where they hang out
Once you have a handle on your audience and what motivates them, you've got to go to them. Where are they currently getting their information? Which blogs, podcasts, publications, influencers, media outlets do they consume?

Make a list that includes contacts at each source. Their name, email address, and social media profiles. Then start to follow them, interact with them in a way that fits with you, help if they ask any questions or need assistance. Get on their radars. Keep notes about your interactions.
If it's a publication that accepts guest posts, start pitching them. If it's a podcast, ask to be a guest. If it's a blog that does interviews, ask to be interviewed. In each instance, lead with what's in it for them and their audience. Also, keep notes on which people you've pitched, and if they accepted or turned you down (so you don't pitch the same person the same idea twice).

Not many people are going to promote you and your book out of the goodness of their hearts, unless you've built strong relationships with them first. It's better to pitch yourself and your book on how it relates to their audience and how it will benefit their audience. Just like figuring out the motivations of your audience in order to sell books, you've got to figure out the motivations of the sources your audience consumes to pitch what's in it for them to feature you.

Marketing tools
As I said at the start, there's no single way to market a book that's guaranteed to fit with your personality and also have massive results. What you can do is align your book with your intentions and values, and constantly work at moving in that direction.

Selling your book and selling what's in your book is the same. You wrote a book because you wanted to convince people of an idea. Marketing your book is really just convincing people that the idea is worth the purchase price and time to read it.

The tools you use to market aren't just creative or design decisions, they're marketing choices that need to align with your intentions and your audience.

These are tools you need to have in place to launch any marketing plan:

Book title
What are you delivering in the content? Is the title easy to remember? Is it both descriptive and captivating? If necessary to explain the premise more, use a byline to push just a little more information on the cover. Use it to narrow down your audience (who it's for, who it's not for), get more specific or describe the key point.

Book story
What story are you telling with your book in 1-2 sentences? Use this for pitches to media, your mailing list, or as the call to action on your site. Why is the story interesting? Test different one-sentence stories on social media (and measure the resulting clicks) or on your newsletter (using A/B tests). Adapt your story based on what performs best. Your story is how you describe your book in writing or in interviews.

Cover
Does it look professional? This is the biggest factor. Because anyone can publish a book, you don't want your cover to look like you made it yourself (unless you're a pro book cover designer). It has to look as good or better than the biggest books in your category.

Author bio

You need three of these: one sentence (for things like social media bios), one paragraph (for bylines on guest posts), and one page (for all the details). Include your relevant accomplishments, relevant credentials, previous books, press mentions ("as seen in X"), and anything interesting that your audience will think is interesting, too. If you have a hard time writing something that balances being criminally egotistical and not boastful enough, ask a friend, editor, or reader to help write it. Sometimes it's easier for someone else to talk about you than it is for you to talk about yourself.

Author photo
For self-published books, you want more professional and less Instagram selfie. Use a pro camera or hire a professional to make sure you've got a photo that looks as good or better than the top authors, and also matches the style of your writing (if it's casual writing, wear a t-shirt, if it's formal, wear a suit or sleek black dress, etc.). Make sure your face is the biggest part and the focal point of the shot. Save your creativity for your next poetry-slam.

Book description
You also need three of these: one sentence, one paragraph, and one page. This is less a summary of the content and more the sales pitch on why someone needs to read it. What's interesting, noteworthy, or newsworthy about it? What's the most important thing your audience will learn? Why should anyone care that you wrote it? What is the benefit of reading it?

Blurbs
These prove that someone, typically more well-known than you, not only wanted to read it, but liked it enough to publicly endorse it. There are three general types of book blurbs: press mentions from recognized media sources (places where your audience gets their information), key industry influencers (names your audience will immediately know and be impressed with) and clients/customers (who benefited from reading it).

Landing page
This is the sales page for your book on your own site. Include all of the above, with links to buy the book through your own payment processor (like GumRoad) or Amazon, B&N, iTunes, etc.

Mailing list

Hands down the most useful tool, however you use it, is your mailing list. Start collecting emails before your book is ready (with a coming soon landing page), use it as an announcement list when your book is ready, and use it to consistently communicate with your audience. There's no better way for an author to talk to their audience and sell books than a newsletter.

The grand finale
These tools are all opportunities to sell your book using whatever marketing method you feel resonates the most with you and your audience. Your choices on cover, title, blurb, and bio all need to be carefully crafted with your audience in mind.

The key -- the absolute key -- to marketing a book is to have written a great book that people actually want to read and then talk about.

Write for your audience, not for yourself (even if it's a memoir). If the quality doesn't happen within the pages of the book, no amount of marketing is going to help in the long run (even if you pay for it).

Books are sold by word-of-mouth and regular people talking to other regular people about what they read. Press and publicity help, but the best promotion comes from people telling the people they know to read something. Write something worth reading and worth gushing about. Is it difficult to do? Totally. It requires lots of work, revisions, editing and testing. If is it impossible to do? Hell no.
Less convincing and hard selling needs to happen if people can easily grasp your concept and want to get your insight on your chosen topic. So be clear, be useful, and be unique.

Have all of the above in place well before you launch your book. Plan out exactly how you're going to market your book, using the tools above as laser-focused weapons to slice through the existing noise of everyone else's self-published book.

Curious for more details on my book marketing strategies? Grab my "Anatomy of a Self-Published Book" PDF here. I break down what I did for marketing each previous book, as well as the exact costs for my latest book.


Wednesday, January 2, 2013

SMASHWORDS HAS A GREAT YEAR



Monday, December 31, 2012

Smashwords Year in Review 2012 - The Power in Publishing is Shifting to Authors

Welcome to my annual Smashwords year in review.

In the last 12 months, tens of thousands of new authors and publishers have joined the Smashwords community.  I welcome you.

A brief introduction to Smashwords is in order.

I founded Smashwords in 2008 to change the way books are published, marketed and sold.  I realized that the traditional publishing industry was broken.  Publishers were unable, unwilling and disinterested to take a chance on every writer. 

Today, Smashwords has grown to become the world’s largest distributor of ebooks from self-published authors and small independent presses.

The idea behind Smashwords was simple:  I wanted to create a free ebook self-publishing platform that would allow me to take a risk on every writer.  I wanted to give every writer the freedom to publish, and every reader the freedom to read what they wanted.
 
Back in 2007, we designed our logo with this revolutionary ideal in mind.  The up-thrusting fist holding the book represented our desire to transfer the power of publishing to writers and readers.  Today, we still refer to it as our “Power to the people” logo.

The revolution is now in full swing.  Indie authors know ebook self-publishing is the future of publishing.  Ebook retailers know this as well.  Traditional publishers, however, have been slow to grasp the transformative impact the self-publishing revolution is having on the industry. 

We’re entering a golden age of publishing.  The ebook self-publishing revolution will lead to a more great books being published than ever before.  More books will touch the souls of more readers, because indie ebooks make books accessible, affordable and discoverable to more people.  These books, in all their diverse and controversial glory, are cultural treasures.

Our authors know that every writer – every one of us – is special, and those who doubt this truth will become the dinosaurs of tomorrow.  You can’t truly honor the culture of books without honoring the writers who create them.  You can’t truly honor the value of books if you measure their value by perceived commercial merit alone.  You either value the human potential of all writers, or none at all.

Every day, I’m thankful that so many writers, readers and retailers have supported the cause of self-published ebooks.  Every day, I’m tickled pink that so many authors, publishers and retailers have partnered with Smashwords, because without your trust and support, we wouldn’t be here.

Unlike self-publishing services that earn their income by selling over-priced services to authors, Smashwords doesn’t sell services.  The money flows to the author.  We earn our commission only if we help sell books.  We think our approach aligns our interests with the interests of our authors and publishers.

Since most books don’t sell well, and we rely entirely on commissions, it’s incredibly difficult to build a profitable business doing what we do.  We figured out how to do it.

Smashwords highlights for 2012

2012 was another incredible year for the Smashwords authors, publishers, literary agents, retailers, libraries, and customers we serve.

Here are some of our key milestones for 2012:  

  • Catalog growth:  We're ending the year with more 190,500 books at Smashwords.  98,000 new titles were added to the Smashwords catalog this year.  This is up from 92,500 at the end of 2011, and up from 28,800 at the end of 2010, 6,000 in 2009, and 140 our first year in 2008.
  • More authors/publishers/literary agents choosing Smashwords:  Smashwords today supports 58,000 authors and small publishers around the world, up from 34,000 at the end of 2011, 12,100 in 2010, 2,400 in 2009, and 90 in 2008.
     
  • Profitability: Smashwords has been profitable for 27 straight months, and our profitability is growing as our business grows.  We’ve done this without bringing in outside venture capital, which means we’re free to pursue our unconventional business model without the interference of outside investors.  Profitability is important, because it means we’re here for the long haul.  It means we have the resources to reinvest in our business for the benefit of the authors, publishers, retailers, libraries, and readers we serve.  Nowhere is this investment more apparent than in our staffing numbers (next item).
     
  • Employee Count:  We’re ending 2012 with 19 employees, up from 13 in 2011, and 3 in 2010. This year we continued to invest heavily in customer service and software development. 
     
  • Faster-Faster-Faster:  Thanks to investments in technology and staffing, we’re providing faster conversions, faster Premium Catalog approvals, faster response times to support inquiries, faster distributions to Apple, Kobo and Barnes & Noble, and faster sales reporting.  We will improve further on all counts in 2013.
     
  • Libraries:  We signed new distribution deals with library aggregators such as Baker & Taylor Axis360, 3M Cloud Library and one other major aggregator not yet announced.  We added support for custom library pricing, and we introduced Library Direct to support libraries that operate their own ebook checkout systems under the Douglas County Model.
     
  • Ebook Distribution Systems:  We began a complete re-architecture of our ebook distribution systems to enable faster, more accurate ebook distributions and metadata updates. 
     
  • Smashwords Profiled in Forbes Magazine:  This was a big deal for us.  For the first time ever, we revealed to the world our revenues (Forbes requires that startups they profile reveal numbers).  Later in the year, we received coverage in the New York Times and Time Magazine.  The indie ebook revolution is starting to go mainstream, though I think we're all still flying below the radar.  That'll change in 2013.
     
  • Improved categorization:  We completed adding support for thousands of BISAC categories to help our author's books land on the correct virtual shelf.
     
  • Merchandising collaboration with retail partners:  We ramped up our merchandising collaboration with retailers, especially Apple, which has been incredibly proactive and creative in working with us to create new opportunities to connect Smashwords books with millions of their customers (See Apple’s Breakout Books promo).  We continued to build tools to help our retailers identify books worthy of promotional love, because these tools help Smashwords authors sell more books and help retailers satisfy more of their customers, which is their primary objective.
     
  • Retailers earning millions of dollars from the sale of Smashwords books:  Our retail partners have made incredible investments to help list, maintain, promote, merchandise, and sell our books to their customers.  I’m pleased to say their investments are paying off.  We want our retail partners to do well with our books, because the value they provide to our authors and publishers far exceeds the sales commission they earn. 
     
  • We released the Secrets to Ebook Publishing Success:  In March, I released this free ebook, which identifies the 28 best practices of the most commercially successful Smashwords authors.  It's the lastest in a series of free ebooks I've written that promote professional publishing best practices.  Along with The Smashwords Style Guide (how to publish an ebook) and the Smashwords Book Marketing Guide (how to promote any book and build author platform), my three books combined have now been downloaded over 250,000 times.  Thousands of our authors and publishers have since put these practices to work. 
  • Amazon:  Our relationship with Amazon has been frustrating.  Even though Smashwords authors have the freedom to bypass Smashwords and work directly with many of our retail partners, about 80% of our authors choose to distribute through Smashwords.  They appreciate the time-saving convenience and simplicity of centrally managing their books and metadata from the Smashwords Dashboard.  Unlike every other major retailer, Amazon has not yet provided us the ability to do large, automated distributions and metadata updates.  As a result, our authors who would prefer to reach Amazon through Smashwords are forced to upload direct to Amazon.  Although I remain hopeful Amazon will one day see fit to treat us as a partner rather than a competitor to be crushed, killed and destroyed, I’m not holding my breath.  We’ve built a healthy, profitable and fast-growing business without their help, and we’ve done this despite their attempts to harm us and our retail partners.  Unlike traditional publishers which would probably go bankrupt if they stopped distributing to Amazon, we face no such noose.  In the meantime, we focus our energy on helping our true retail partners succeed in the marketplace.

link to article
http://blog.smashwords.com/2012/12/smashwords-year-in-review-2012-power-in.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+S




 For more info -
www.michiganavenuemedia.com

www.worldofinknetwork.com

Saturday, August 20, 2011

A GOOD STORY IS A GOOD STORY - 6 PM EST - LISTEN LIVE OR ON DEMAND TUESDAY AUGUST 23


Join Marsha Cook host of a GOOD STORY IS A GOOD STORY on August 23 at 6PM EST 5PM CST 4PM MT 3PM PST. This show is about today's book market. Its a new age and writers and publishers need to come to the drawing board and begin to make some necessary changes.

This show is about publishing great books and doing great marketing to get your books publicized in the right way. This show is also about ground breaking times and what writers need to know to stay in the game.

All of the guests on this show are authors that are truly in for the long haul. They are successful because they not only work hard they know this business and what really matters and how hard it is to break into a successful writing career when the odds aren’t exactly in favor of the new innovative writer. The guests are Larry Sheridan, Gerard de Marigny,and Traci L Slatton. Look up their names on Amazon before the show and you will see just how important this show will be for all our loyal listeners. Listen live or on demand on August 23 – at 6 PM EST 5PM CST 4PM MT 3PMPST . Once again Sandra Elrod will be with us for chatting and discussion.


Call in number to speak with the host and guests - (714) 242-5259
Tags:marsha cook,self- publishing authors,marketing,marcus bryan, fran lewis,traci l slatton.bennet pomerantz, larry sheridan,gerard de Marigny, books