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Sunday, June 1, 2014

A Good Story Is A Good Story







 
Please join Marsha  Casper Cook and her co - host Joanna Lee Doster on Tuesday June 3 at 8PM CST 9 PM EST when their special guest will be Jan Richmond.

Marsha Casper Cook is an author, screenwriter, marketing coach and social network consultant. Joanna Lee Doster is the author of a very exciting new book, Maximum Speed: Pushing The Limit. She is a freelance journalist for syndicated newspapers, magazines and blogs. In addition, she has held executive positions in cable television, communications and the entertainment industry.
Jan Richmond is not only an author of six books including his new book, Hollow Vengeance, he is a retired History Instructor, Vietnam Veteran and pilot. It's going to be a terrific show and the the phone lines will be open as well as the chat room.

Phone calls will also be taken -  (714) 242-5259

for more info http://www.michiganavenuemedia.com
http://www.worldofinknetwork.com

Guests-  Amazon  Page
http://www.amazon.com/Maximum-Speed-Joanna-Lee-Doster/dp/0996017917
http://www.amazon.com/Hollow-Vengeance-Jan-Richmond-ebook/dp/B00I0QHYPA/

Thursday, May 29, 2014

Isabella Pimpinella's Magical Potion


Wednesday, May 28, 2014

ISABELLA PIMPINELLA 'S MAGICAL POTION


Isabella Pimpinella's Magic Potion

By Marsha Casper Cook


The true test of bravery begins with thirteen little girls and a cat named Bogart who have the time of their life at the greatest sleepover ever when they get the chance to make a magical potion and learn to believe in themselves. It’s a magical story.

Believe in yourself and the world is brighter.


Isabella called out, “Everyone count to three. And when I say toss, throw everything into the kettle. Including the bag.” The smell of the potion was strong. All the junior witches shouted out, “One…Two… Three.”
 
“Lizards, lizards
It’s time to leave.
So hurry to the top
And out you will pop.
Whoosh, whoosh, whoosh
Please swim to the top.
And out you will come
Plop, plop, plop!”
  


AMAZON LINK

Monday, May 26, 2014

A Good Story Is A Good Story



Join  host Marsha Casper Cook, A GOOD STORY IS A GOOD STORY and her special guest Allison Bruning on Tuesday May 27 at 10 AM PST  11AM MT  Noon CST 1PM EST.

Marsha is an author, screenwriter, WGA Signatory Agent, marketing consultant and half of the WORLD OF INK NETWORK.Virginia Grenier is the other half. They have been doing shows together for four years. Recently her book To Life is on the Best Selling list on Amazon.


Marsha's special guest is the very successful Best Selling author Allison Bruning. Allison has always had a passion for the literary arts. She originally hails from Marion, Ohio but lives in Indianapolis, Indiana with her husband. Allison is the author of six historical fiction series: Children of the Shawnee, The Secret Heritage, Irish Twist of Fate, New Hope, Lost Identity and Cherokee Tears.
 Allison's educational background includes a BA in Theatre Arts with a minor in Anthropology and a Texas Elementary Teaching certificate. Allison received National Honor Society memberships in both Theatre Arts and Communication. She was also honored her sophomore year with admission into the All American Scholars register. She holds graduate hours in Cultural Anthropology and Education. In 2007, Allison was named Who's Who Among America's Educators. She is also the recipient of the Girl Scout Silver and Gold Awards. Allison received her Masters of Fine Arts in Creative Writing at Full Sail University on June 28, 2013. She is an educator, writer, speaker, screenwriter, film director, and publisher.

LINK TO THE SHOW 
http://www.blogtalkradio.com/worldofinknetwork/2014/05/27/writing-a-good-story


for more info on the shows
http://www.worldofinknetwork.com
http://www.michiganavenuemedia.com
Allison's Publishing house
http://www.mspringspub.com/





















Link to the show 
http://www.blogtalkradio.com/worldofinknetwork/2014/05/27/writing-a-good-story

Author Mike Faricy's LAST SHOT


Book Review - Fran Lewis - LAST SHOT

Creating a character that is believable, interesting and unique when so many murder mysteries have been written is a tall order. Mike Faricy’s character is Dev Haskell a private detective with a touch of Rockford, Mickey Spillane, Magnum PI and a slight resemblance to Mannix. Dev is handsome, charismatic and has a partner named Louis that is a down to earth, no holds barred lawyer whose sharp tongue, quick comebacks add to the plot from the start. But, Dev Haskell’s problem is that he’s too quick to judge, prefers working cases alone and loves to solve a good murder. When Desi Quinn approaches him and wants to hire him to take down the man who set her up to take a huge fall and landed her in jail, he turns her down. Desi knows that she did not commit the crime and remove the documents from the Federal Reserve. Leaving her to fend for herself, never finding time to clear her of the accusations, the man, her boss Gaston  Driscoll, takes his wife on a long as he feels well deserved vacation. Desi never recovers her losses. Losing her job as an architect, doing time for a crime she never committed yet removing the papers as instructed by Gaston Driscoll, whose image seems to be whiter that Mr. Clean himself, has fallen on hard times, needs to wash cars for a living and bartend to make ends meet. But when she asks for Dev’s help he turns her down claiming the case would cost her more than she could make in a very long time. A small fortune and his time but the end result was worse. Someone was following Desi and someone wanted her out of the way but why? When Karla her boss asks Dev to help Desi and find out why she missed several days of work, what he finds will shake him to the core and make him wish he could turn back the hands of time.

Dev is determined to find out more about Desi so he frequents some bars, meets some of the dancers and then along comes Marsha/Brandi or whatever name she uses when she dances. Digging into the police files with the help of a detective, he learns more about Desi, a woman named Helen Olsen, her relationship with Driscoll, her suspicious death and the death of Driscoll’s wife, Bernadette. How would both Helen and Bernadette die the same way and in the same place? Who planted the bottle of liquor in Helen’s car? Helen was allergic to alcohol and never drank. Helen was fired from her job in Human Resources where Driscoll was a managing partner in the architectural firm. At times right out of an episode of Psych Shawn Spencer and Burton Guster or Gus with a touch of comedy, humor and definitely an unorthodox way of handling a case. But, when Dev delves into the lives of many of the women that Gaston decided to use as diversions, a pattern comes through, each one threatened, fired, told she would spend time in prison for stealing funds and finally DVD’s of their time together. What a sterling man! Yet, no one can pin anything on him even though many of his victims are either dead or are finally coming forward. With Helen who died when her car fell through ice or his wife in a boat accident just how far will Gaston Driscoll go to eliminate anyone that gets in his way or is in his way? With the help of Aaron Lazelle of the police department Dev gets access to the files he needs. Someone is following Marsha, Dev tries to protect her and in doing so gets the license plate but the guy gets away.
Learning his identity and more about him the author gives readers an inside view of a lowlife named Pauley linked to Gaston and Desi but how. A chase, an accident, his car being towed and the plot gets more complicated as Dev’s office is broken into and his life could be on the line. Guilt flares up and rears its head and Dev decides to honor Desi by proving her innocence at all cost. Pauley Kopff is not worth the glue on a postage stamp yet he’s tied to Gaston Driscoll but how and why?
Speaking to Helen Olsen’s sister important information comes to light added in Marsha has decided to do her femme fatale act and become Gaston’s next plaything but of course with her own twist. With Dev watching her back and her idea of how to infiltrate Gaston’s company and life, Marsha could be next on his list of those to eliminate in short order. With Catherine, Helen’s sister, Daphne Cole and Karla, Dev has his hands full to try and protect them all before someone strikes again.

Dev is persistent and when things seem to point to Driscoll the police seem to be going in a different direction and no one believes him. Taking matters into his own hand he puts his life on the line and someone close to him is taken. Will Dev be able to unravel what really happened to Desi and prove her innocence even though she is gone? Will he vindicate the others that were wrongly accused? Is Driscoll so connected that no one can touch him and he gets away with more than just murder? Missing bodies, the police hot on the trail but whose and one Private Investigator who will stop at nothing and is fearless in his quest to right what he feels is a wrong.  One rich guy, some hired thugs. An ending that you won’t see coming and chase scenes, breaking and entering and much more added with humor, sarcasm and a touch of comedic relief, author Mike Faricy’s character of Dev Haskell takes on Last Shot to find a killer, avenge a death and hopefully solve his case. Last Shot: Who wins and who loses and who gets that final Last Shot in their favor?
Fran Lewis: Reviewer

Monday, May 5, 2014

Join us tomorrow night Tuesday May 6 at 9P EST 8PM CST A Good Story Is A Good Story




 


Join Marsha and her co host Elizabeth Black on Tuesday May 6 at 9PM EST 8PM CST as they welcome authors from Phoenix Fire Publishing.

 Special Segment on Marketing with Kelly Abell from SELECT-O GRAFIX

It's going to be a great show so listen live and if you have questions or want to talk to one of the authors please feel free to call in (714) 242-5259




Link to the show -  
http://www.blogtalkradio.com/worldofinknetwork/2014/05/07/a-good-story-is-a-good-story-host-marsha-casper-cook

Monday, April 28, 2014

Why iPad sales are declining and what it means in the long term.

Why iPad sales are declining and what it means in the long term

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Apple’s quarterly earnings report, released yesterday, highlighted a trend that was slightly unexpected. Although profits grew to $10.2bn from $9.9bn the year before, the engine for this growth were, surprisingly, the newer iPhone 5S and 5C models which posted year-on-year growth of 17%. iPad growth, by contrast, screeched to a halt with year-on-year sales down 16%.
How has this occurred, and what does it mean in the long term? The perfunctory reasoning of Tim Cook, Apple’s CEO and Luca Maestri, their CFO was that Apple’s channel inventory (the amount of products they make available for purchase by resellers) had declined over the period but this ignores the fact that even with these adjustments factored in (about a million units) it still constitutes an overall decline in year-on-year growth and that Apple’s forecasts themselves predicted year-on-year growth for their iPad range.
The real reason for these declining sales may be simpler: Competition and saturation. Although Android tablets competing with Apple in the tablet space have existed for a while now, Apple had a first mover advantage that essentially fused its brand with the word “tablet”. Indeed, they essentially invested the consumer-ready tablet and it gave Apple a kind of marketing narrative of being “the tablet company” that worked on its own, even alongside premium pricing. The increasing availability of not just Samsung Android tablets, but Android (and increasingly Windows) tablets from a wide variety of manufacturers is cutting into a consumer base that would have instinctively gone to Apple a few years ago for a tablet.
Moving on to the more important matter of consumer saturation. Most analysts predict the tablet market will grow by 50% this year in the United States (its main market by a long margin). This seems overly generous. The level of market saturation in the US for tablets (42% of adults) is at a level now where we can expect to see some tapering off of growth. Indeed, to be more bold about it, it’s looking increasingly likely that the whole of the “post-PC” market of smartphones, tablets and phablets are looking at long term “stagnation”, that is to say, slow growth and diminishing returns from a mature consumer market. This is already well documented in the smartphone space where existing consumers simply see no reason to upgrade anymore.
This is partly why yesterday’s announcement was surprising in that very few people in tech journalism or market analysis saw it as part of a broader trend, they expected tablets to be immune from stagnating smartphone growth when in fact the two types of product are only different by incremental differences in screen size now. IDC’s first Q1 2014 report, released in January, predicted this exact outcome by stating that the ”signs for slower growth are clear” and warning against extravagant expectations.
This shouldn’t be viewed as a “crash” however, the fact of the matter is that app store revenues across the App Store and Google Play are going to grow and increasingly establish themselves as huge e-commerce centres in spite of this. Which leads on to the final point:
The only way hardware growth of mobile devices in developed markets is going to see the sort of huge figures it did in 2010-2012 is with innovation. For the past few years we’ve seen incremental improvements to existing principles which is, of course, understandable and perfectly fine. But incremental improvements in the form of better SoCs, more RAM and so on cannot drive growth to the extent a truly disruptive device can. A question device manufacturers need to be asking themselves is “What can I do on an iPad 4 that is truly different to what I could do on an iPad 3?” Therein lies the increasingly common pattern of consumers holding onto devices for longer periods of time now. There is, as already mentioned, no real reason why consumers should upgrade.
What’s most interesting about this is that the floor is open to any challengers who think they can change the market with something truly disruptive, and realistically this could come from anywhere.

Friday, April 25, 2014

Pen Names

Pen name

From Wikipedia, the free encyclopedia
A pen name, nom de plume, or literary double, is a pseudonym adopted by an author. The author's real name may be known to only the publisher, or may come to be common knowledge.

Western literature

An author may use a pen name if his or her real name is likely to be confused with that of another author or notable individual. Some authors who regularly write in more than one genre use different pen names for each. Romance writer Nora Roberts writes erotic thrillers under the pen name J.D. Robb, and Samuel Langhorne Clemens used the aliases "Mark Twain" and "Sieur Louis de Conte" for different works. Similarly, an author who writes both fiction and non-fiction (such as the mathematician and fantasy writer Charles Dodgson, who wrote as Lewis Carroll) may use a pseudonym for fiction writing. Science fiction author Harry Turtledove has used the name H.N. Turtletaub for a number of historical novels he has written because he and his publisher felt that the presumed lower sales of those novels might hurt book store orders for the novels he writes under his own name.
Occasionally a pen name is employed to avoid overexposure. Prolific authors for pulp magazines often had two and sometimes three short stories appearing in one issue of a magazine; the editor would create several fictitious author names to hide this from readers. Robert A. Heinlein wrote stories under pseudonyms so that more of his works could be published in a single magazine. Stephen King published four novels under the name Richard Bachman because publishers didn't feel the public would buy more than one novel per year from a single author.[1] Eventually, after critics found a large number of style similarities, publishers revealed Bachman's true identity.
Sometimes a pen name is used because an author believes that his name does not suit the genre he is writing in. Western novelist Pearl Gray dropped his first name and changed the spelling of his last name to become Zane Grey, because he believed that his real name did not suit the Western genre. Romance novelist Angela Knight writes under that name instead of her actual name (Julie Woodcock) because of the double entendre of her surname in the context of that genre.
Edward Gorey had dozens of pseudonyms, each one an anagram of his real name.
A pen name may be shared by different writers in order to suggest continuity of authorship. Thus the Bessie Bunter series of English boarding-school stories, initially written by the prolific Charles Hamilton under the name Hilda Richards, was taken on by other authors who continued to use the same pen-name.
C. S. Lewis used two different pseudonyms for different reasons. He published a collection of poems (Spirits in Bondage) and a narrative poem (Dymer) under the pen name "Clive Hamilton", to avoid harming his reputation as a don at Oxford University. His book entitled A Grief Observed, which describes his experience of bereavement, was originally released under the pseudonym "N. W. Clerk"
Essayist and poet Eric Blair adopted the pseudonym George Orwell for most of his books, including Animal Farm and Nineteen Eighty Four. This was done because he felt himself to be insufficiently established in his writing career to publish under his real name.
In some forms of fiction, the pen name adopted is the name of the lead character, to suggest to the reader that the book is a (fictional) autobiography. Daniel Handler used the pseudonym Lemony Snicket to present his A Series of Unfortunate Events books as memoirs by an acquaintance of the main characters.
Legendary comic book writer Stan Lee was born Stanley Martin Lieber. He adopted the pen name Stan Lee because he intended to save his real name for more literary products other than comic books. However, Lee's hopes for a novelistic career never materialized; although he became arguably the most important comic book creator in history. He legally changed his name to Stan Lee because he had become better known under his pen name.
Some, however, do this to fit a certain theme. One famous example, Pseudonymous Bosch, used his pen name just to expand the theme of secrecy in The Secret Series.

Female authors

Some female authors have used pen names to ensure that their works were accepted by publishers and/or the public. Such is the case of Peru's famous Clarinda, whose work was published in the early 17th century. More often, women have adopted masculine pen names. This was common in the 19th century, when women were beginning to make inroads into literature but, it was felt, would not be taken as seriously by readers as male authors. For example, Mary Ann Evans wrote under the pen name George Eliot; and Amandine Aurore Lucile Dupin, Baronne Dudevant, used the pseudonym George Sand. Charlotte, Emily and Anne Brontë published under the names Currer, Ellis, and Acton Bell respectively. French-Savoyard writer and poet Amélie Gex chose to publish as Dian de Jeânna ("John, son of Jane") during the first half of her career. Karen Blixen's very successful Out of Africa (1937) was originally published under the pen name Isak Dinesen. Victoria Benedictsson, one of the most famous Swedish authors of the 19th century,[citation needed] wrote under the name Ernst Ahlgren.
More recently, women who write in genres normally written by men sometimes choose to use initials, such as K. A. Applegate, P. N. Elrod, D. C. Fontana, S. E. Hinton, G. A. Riplinger, J. D. Robb, and J. K. Rowling. Alternatively, they may use a unisex pen name, such as Robin Hobb (the second pen name of novelist Margaret Astrid Lindholm Ogden).

Collective names

A collective name, also known as a house name, is sometimes used with series fiction published under one pen name even though more than one author may have contributed to the series. In some cases the first books in the series were written by one writer, but subsequent books were written by ghost writers. For instance, many of the later books in The Saint adventure series were not written by Leslie Charteris, the series' originator. Similarly, Nancy Drew mystery books are published as though they were written by Carolyn Keene, The Hardy Boys books are published as the work of Franklin W. Dixon, and The Bobbsey Twins series are credited to Laura Lee Hope, although several authors have been involved in each series.
Collaborative authors may have also their works published under a single pen name. Frederic Dannay and Manfred B. Lee published their mystery novels and stories under the pen name Ellery Queen (as well as publishing the work of ghost-writers under the same name). Cherith Baldry, Kate Cary, and Victoria Holmes wrote the Warriors series under the pseudonym of Erin Hunter to keep their readers from searching all over the library for their books.[citation needed] The writers of Atlanta Nights, a deliberately bad book intended to embarrass the publishing firm PublishAmerica,[citation needed] used the pen name Travis Tea. Sometimes multiple authors will write related books under the same pseudonym; examples include T. H. Lain in fiction.[citation needed]
Nicolas Bourbaki is the collective pseudonym under which a group of (mainly French) 20th-century mathematicians wrote a series of books presenting an exposition of modern advanced mathematics, beginning in 1935. With the goal of founding all of mathematics on set theory, the group strove for utmost rigour and generality, creating some new terminology and concepts along the way.[citation needed]
In 2007, three Slovenian artists legally changed their names to Janez JanÅ¡a, the Slovenia’s economic-liberal, conservative prime minister at the time. When publicly asked whether this gesture was of an affirmative or subversive nature, they claimed they did it for "personal reasons". Most of their works, including art exhibitions, theatrical pieces, and publications, have since been signed under this name.[citation needed]
Suba is an example of collective pen name in Tamil literature.[citation needed] Kozma Prutkov is an example of collective pen name in Russian literature.[citation needed]

Concealment of identity

A pseudonym may be used to protect the writer for exposé books about espionage or crime. Former SAS soldier Andy McNab used a pseudonym for his book about a failed SAS mission titled Bravo Two Zero. The name Ibn Warraq has been used by dissident Muslim authors. Author Brian O'Nolan used the pen names Flann O'Brien and Myles na gCopaleen for his novels and journalistic writing from the 1940s to the 1960s because Irish civil servants were not allowed at that time to publish works under their own names.[citation needed] The identity of the enigmatic twentieth century novelist B. Traven has never been conclusively revealed, despite thorough research.[citation needed]
The Histoire d'O (The Story of O), an erotic novel of sadomasochism and sexual slavery, was written by an editorial secretary with a reputation for near-prudery who used the pseudonym Pauline Réage.
For reasons unknown, but perhaps to escape the notice of English authorities, the author Robert Noonan chose the name Robert Tressell as his pseudonym to write the novel The Ragged Trousered Philanthropists.[citation needed]
Alice Bradley Sheldon had a multiplicity of reasons for writing under the pen name of James Tiptree, Jr.: she was a woman writing in the heavily male-dominated genre of science fiction; she was a bisexual woman who may have wanted to avoid the inherent biases of her readers; and she was a career intelligence officer, first in the Army Air Corps and then in the early years of the CIA, for whom concealment was a way of life.[citation needed]
After Stephen King's pen name Richard Bachman got released to the public, King said that Bachman had "died of cancer".[citation needed] After this, King began writing most of his stories under his own name.[citation needed] The event of King's pen name's being released helped conceive another novel, The Dark Half (1989).[citation needed]